Shay Youngblood with David Herman in the “green room”
The Denton Black Film Festival was a good time, reflective, informative, celebratory and sobering. The sold out screening of I AM NOT YOUR NEGRO was an action that inspired me to return to a writing project with urgency. Christopher Blay’s exhibition KWTXR was moving and captured this moment now. The Women in Entertainment panel was illuminating and lots of new connections were made. The films and events were rich with testimony, strategy and respite in these challenging times. Thanks to Linda and Harry Eaddy and the DBFF Crew. Community Action at work!
A Workshop Production by Shay Youngblood
with special guests kt shorb and Lyndon Gill
Saturday, 28 June 2014 – 5-7pm @ Salvage Vanguard Theater, Austin, Texas
Free and open to the public
What is the effect of memory on architecture? What is the effect of architecture on memory? How do our early memories of home shape who we become? I traveled from Texas to Tokyo in the spring of 2011 to ask these questions in the form of interviews with Japanese creatives, that would be the research for a novel set in Hawaii and Japan. Ten days after I arrived, Japan experienced the strongest earthquake in its history, which triggered a powerful tsunami and set off a nuclear disaster. In this multimedia performance I share my experience of home in Japan, my creative process and invite the audience to participate in shaping my work-in-progress.
*This workshop production is made possible with support from
ALLGO: A Texas Statewide Organization for Queer People of Color
“Impossible Landscape” artwork: Adrienne Brown
On March 29th at 6:30pm Annette Lawrence will give an artists’ talk at her exhibition of new work LEANING TOWARDS AN ALGORITHM at Mountain View College in Dallas. solo exhibition info
It has been an unexpected pleasure to watch the development of this new body of work by Annette. Her intellect, discipline, focus and dedication to her craft continues to inspire me. Totally unbiased.
Inspired by the amazing Rob Walker’s Significant Objects Project, Carolyn Bess of Arts & Letters Live at The Dallas Museum of Art, commissioned four writers (I was among them) to create original short stories inspired by objects in the collection. (See Rob’s blog here Materially Untrue. ) We were invited into the vault where thousands of priceless artworks are stored in a massive underground city. It was overwhelming and thrilling. There were three compelling pieces that stirred my imagination. A painting by Mark Bradford, a woodcut by Käthe Kollwitz and an 18th century silver marrow scoop. Images swirled around in my head, but there was no clear story. In the week that followed my visit to the museum I learned that my friend, the artist Terry Adkins died. I wrote a draft of “Broken Beautiful” in less than 48 hours. His loss was an unexpected element. The story became a place to channel my grief and make peace with our unfinished conversations.
Winner of the 2014 Black Reel, Outstanding Independent Short, Black Girl Paris, the short film based on my novel was shown on HBO during the month of February. You can still watch it if you have HBO to GO.
Below is a link to a two minute reel for the film:
HBO Short Film Competition
Thursday, June 20
8:30 pm-10:30 pm
1040 Lincoln Rd Miami Beach, FL 33139
Five talented filmmakers compete for the prestigious 17th annual HBO Short Film Award.
Admission: Passholders Only
This Friday, June 21st from 6:30 – 7:30pm I’ll be collecting stories at the Dallas Museum of Art. See the link below for more infomation on the Art Block Party events all evening long. Hope to see you there!
Enjoyed mixing and mingling with old friends and new at the TCG Conference in Dallas. I witnessed Ayad Ahktar’s conversation with Gabriel Greene. Ayad’s first novel American Dervish won the 2013 Pulitzer Prize for fiction. I watched him blossom as an actor in the Theatre Program at Brown University in the mid 90’s. It was great to see him in full flower on the stage of the Dallas Performing Arts Center. A pleasure meeting Nick Slie of Mondo Bizarro in New Orleans; spending some quality time with my friend for life Daniel Alexander Jones who will be performing in Austin as Jomama Jones at the Salvage Vanguard Theatre during July; seeing the wonderful actor, Marguerite Hannah who was the original Daughter in my first play, Shaking the Mess Outta Misery; laughing again with Abe Rybeck of Theater Offensive in Boston and giving birthday wishes to Reginald Edmund. I’m not done with theater yet.
Casually we call ourselves Art Book Club because we are mostly visual artists, art lovers, book lovers, writers and teachers of literature and because we haven’t been able to come up with a name we can all agree on that’s better than Art Book Club. It’s a privilege and an honor to be a part of this small community of smart, creative, funny women who are critical thinkers and deeply engaged in developing their craft and expanding their knowledge. Last session we read Susan Sontag’s REBORN: Journals and Notebooks 1947-1963, with an insightful introduction by her son David Rieff, who edited the book. When I first read Reborn a few years ago, I was surprised to discover Sontag’s complicated relationship with Cuban-American playwright, Marie Irene Fornes who I met when I was a graduate student at Brown University. From the age of 14 when the journals begin until her mid 20’s, the book chronicles Sontag’s amazing reading lists, ideas for books, her intimate vulnerabilities and complex relationships, her doubts and big questions. We spent nearly five blissful hours engaged in thoughtful conversation sparked by issues raised in the book about identity, craft, the private lives of public figures, and the function of a journal in our lives among other things. It prompted me to read Sontag’s essays, watch her interviews on Youtube and think seriously about what I want to happen with my 25 boxes of archive materials that include journals, letters and original notebooks and manuscripts from the age of 12 to the present. Why do you keep a journal and what do you want to happen to them in the future?